When Sergei Prokofiev composed Peter and the Wolf, he probably didn’t imagine the Duck wearing lily pads, or the Wolf checking his pocket watch like he’s late for high tea. But that’s exactly the kind of whimsy Canton Ballet audiences will experience this season, thanks to an extraordinary trio of costume designers: Barb Bettis, Lori Christman, and Gwendolyn Kunz.
This season’s Peter and the Wolf is not a full reinvention — our iconic set remains the same — but there are several enhancements, including brand-new costumes supported by the generosity of the Hoover Foundation. Fittingly, the Hoover family’s impact runs deep in Canton Ballet’s history. In 1978, their generosity helped fund the Company’s very first major production, staged at the Canton Civic Center. Nearly 50 years later, the Foundation’s continued support is helping us re-imagine Peter and the Wolf for a new generation of audiences.
And what an audience it is. Over the years, over 150,000 Stark County students in grades K–3 have experienced Peter and the Wolf through Canton Ballet’s school performances. For many of these children, it’s their first time seeing a live performance — an unforgettable introduction to music, movement, and storytelling.
So, who are the visionaries behind the tulle, pinstripes, and lily pads? Let’s peek behind the curtain.
Meet the Designers
Barb Bettis
Barb Bettis has been creating costumes for over 30 years, beginning her journey in 1998 under the mentorship of Elizabeth Kaplan. From The Nutcracker to Ballroom, her designs combine elegance, movement, and storytelling. Known for her artistry and resourcefulness, Barb has also designed for Cleveland Ballet at Playhouse Square, with credits including The Nutcracker, A Midsummer Night’s Dream, and Swan Lake.
Lori Christman
Lori Christman brings a unique perspective to costume design, having excelled both on stage and behind the scenes. A former principal dancer with New Jersey Ballet and soloist with Carolina Ballet under Robert Weiss, she toured internationally before transitioning to design. Her costume work has been featured by Cleveland Ballet, Cary Ballet, and now Canton Ballet, where she blends elegance with imagination. Lori has collaborated with renowned choreographers including Christopher Wheeldon and the late Lynne Taylor-Corbett, celebrated for her choreography of Footloose, experiences that continue to inform Lori’s artistry and deep understanding of how design enhances performance.
Gwendolyn Kunz
The newest member of Canton Ballet’s design team, Gwendolyn Kunz brings fresh energy and a touch of Broadway sparkle. She earned her BFA in Costume Design from Baldwin Wallace University and has designed for Cleveland Play House (The Three Musketeers), Great Lakes Theater (As You Like It), and Arrow Rock Lyceum Theatre in Missouri. She also works with Wardrobe Union Local 883 at Playhouse Square and now calls Cleveland home.
Behind the Seams: A Conversation with the Designers
Q: Let’s start with the Wolf. Pocket watch? Pinstripes? What’s the inspiration here?
Lori: We wanted him to feel dapper, like an old-school villain in a cartoon. The pocket watch says, “I’m charming, but you probably shouldn’t trust me.”
Barb: It also makes him look like he could run for mayor. A very shady mayor.
Q: And the Duck?
Gwen: This one’s my favorite! We used lily-pad motifs and gradient pleated fabrics that create geometric tail shapes. It’s playful, unexpected, and still gives the dancer the freedom to move.
Q: What about the Bird?
Lori: The tutu is custom-dyed in oranges and yellows—flown in from California! The colors almost shimmer in motion, like sunlight on feathers.
Q: Peter is dressed like… a Boy Scout?
Barb: Exactly. He’s adventurous, resourceful, and ready to take on the world. The look really brings out that mischievous, fearless spirit.
The Legacy Continues
“Costumes are storytelling tools,” Lori says. “They shape how we experience characters before they take a single step.”
And this season, they’re shaping a story that honors the past while dazzling the present — pocket watch and all.
Don’t miss Canton Ballet’s Peter and the Wolf, in collaboration with the Canton Symphony Orchestra, and experience this timeless tale like never before. It’s the perfect introduction to the performing arts for all ages! Tickets start at $10 at cantonballet.com/performances/tickets/.















